Belfast

James Connolly/Séamus Ó Conghaıle

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A statue of James Connolly was unveiled in the grounds of Comhaırle Phobaıl Na bhFál on March 25th (An Phoblacht). The statue is part of Slí Na Gaeltachta.

A little further long the road, tarps announce plans for a “James Connolly Interpretive Centre” (eventually opened in 2019 as “James Connolly Visitor Centre”).

“Eagraí ceardchumaınn, Sóısıalaí, Idırnáısıúnaí agus duıne de cheannaırí Éırí Amach na Cásca 1916. Bhí cónaí ar Ó Conghaıle agus ar a theaghlach ı measc lucht oıbre Bhéal Feırste agus chuıdıgh sé le Caıtıicıgh, Protastúnaıgh agus easaontóırí troıd ar mhaıthe le suımeanna na gnáthaıcme. Rugadh ı nDún Éıdeann ar 5 Meıtheamh 1868 é, mharaıgh scuad lámhaıgh Brıotanach é ı bPríosún Chıll Mhaıghneann, Baıle Átha Clıath ar 12 Bealtaıne 1916 as an pháırt a ghlac sé ın Éırí Amach na Cásca. / Trade union organiser, Socialist, Internationalist and one of the leaders of the Easter Rising 1916. Connolly along with his family lived among the working people of Belfast and helped organise, Catholics, Protestants and dissenters to fight together for the common class interests. Born in Edinburgh 5 June 1868, he was executed by firing squad in Kilmainham Gaol, Dublin, 12 May 1916 for his part in the Easter Rising.”

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Copyright © 2016 Peter Moloney
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To Protect And Serve

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“To protect partition! And to serve capitalism!” The Royal Ulster Constabulary, Police Service of ‘Northern Ireland’, and An Garda Síochána are branded as agents of the status quo, enforcing the partition of Ireland and the capitalist system. “Know your enemy – reject political policing”.

IRSP mural on Northumberland Street, west Belfast

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Copyright © 2015 Peter Moloney
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End Forced Isolation

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“End forced isolation, end controlled movement, end forced strip searches”.

This is a new panel – perhaps the fourth in 2015 – in the RNU (Fb)/Cogús (Fb) mural on Northumberland Street. If you can identify the image or the style, please get in touch.

For previous panels in 2015, see Free Stephen Kaczynski | Prison Torture | Leonard Peltier

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Copyright © 2015 Peter Moloney
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The Details

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The Detail is a Northern Ireland web-site producing news and analysis, including a four-part series of infographics called “Imaging NI”, some of which were used in a billboard campaign. The one above is in Great Victoria Street; the one below is in Strand Road, London-/Derry.

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Copyright © 2015 Peter Moloney
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Refugees Welcome

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The wave of people seeking asylum from political strife in Europe continues.”Fáılte romhaıbh a chaırde” is Irish for “Welcome, friends” while “Qaxootiga soo Dhaweyn” is Somali for “Refugees welcome”. Somalis make up about 9% of the current wave of migrants from Africa and Syrians 33% (Irish Times). 2,000 refugees are to be settled in Northern Ireland (belfastlive). The yellow-on-black outline of parents and daughter running originates in the United States, used on ‘caution’ signs along highways near the US-Mexico border. 

The mural was launched on September 12th.

Northumberland Street, west Belfast

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Copyright © 2015 Peter Moloney
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Reclaim The Republic

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The masthead of the 1916 proclamation declaring a “Provisional Government of the Irish Republic” to the “People of Ireland” is faithfully reproduced in this éırígí stencil, along with busts of Padraıg Pearse and Tom Clarke.

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Copyright © 2015 Peter Moloney
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Lower Shankill Angels

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As can be seen from the images of the information boards that accompany them, these pieces are part of a second wave of re-imaging (Visual History 10) in the lower Shankill estate. Compared to the pieces they replace, these are even more neutral in theme, replacing cultural themes with community (and also all printed rather than painted).

Most of these are in the centre of the estate, alongside various UDA murals. There has also been a small wave of UDA stencilling and signage on the periphery of the estate – see Loyalist Lower Shankill.

I Am Not Resilent replaces the Andrew Jackson Ulster-Scots mural in Boundary Way.

Women’s Voices is on the wall formerly home to Play from 2009 (and not, as the info board suggests, either the Can It Change? or the Shankill Eddie).

Lower Shankill Angels replaces the long-standing LPOW mural.

Never Doubt is on a previously unused wall, at the top of the estate, on Hopewell Avenue.

Nothing About Us is a piece from the first wave of re-imaging that was moved to Malvern Way due to the new construction taking place on the estate.

For background on the individual pieces, see the individual entries in the Seosamh Mac Coılle collection: I Am Not Resilient | Women’s Voices | Lower Shankill Angels | Never Doubt | Nothing About Us.

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Copyright © 2015 Peter Moloney
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