women

We Want The Freedom Of Our Country

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repainted knot-work on the right in front, form July 8th, 2016:

detail shots, from August 9th, 2025, December 15th, 2025, and March 26th, 2016:

December 15th, 2025, portraits on small boards being added to either side of the (temporarily removed) proclamation:

July 31st, 2025:

July 14th, 2025:

May 5th, 2025:

Arrayed against the forces of the British Army (which are shown laying siege to the Dublin GPO during the Easter Rising in armoured cars and in sniping positions in the foreground of the mural, along the whole length of the wall) are various symbols of Irish nationalism: 

Oliver Sheppard‘s 1911 statue of Cú Chulaınn dying (see the Visual History page);
the pikemen of the 1798 Rebellion;
the four provinces of Ireland;
Érıu the mythological queen of Ireland/Éıre as designed by Richard J King/Rísteard Ó Cíonga;
Easter lilies;
the emblems of Na Fıanna Éıreann and Cumann Na mBan on either side of a quote from (The Mainspring) Seán Mac Dıarmada, “We bleed that the nation may live; I die that the nation may live. Damn your concessions, England: we want our country”; 
a phoenix rising from the flames of the burning Dublin GPO (inspired by Norman Teeling’s 1998 painting The GPO Burns In Dublin);
the GPO flying an ‘Irish Republic’ flag;
portraits of signatories and other rebels — (left) Padraig H. Pearse, Thomas J Clarke, Eamonn Ceannt, Thomas MacDonagh, (right) Countess Markievicz, James Connolly, Sean MacDiarmada, Thomas Plunkett; 
the declaration of independence, placed over the advertising box of AA Accountants – see the in-progress shot below.

At the very bottom is a quote from the mother of painted Gerard ‘Mo Chara’ Kelly, Harriet Kelly: “We want the freedom of our country and your soldiers out.”

McQuillan Street, west Belfast

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Copyright © 2015/2016 Peter Moloney
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details
Sig M13842
Cú M12906 [M12627] [M12587]
1798 M12907 [M12707]
Ireland M12709 [M12628]
Érıu M12708 [M12586]
Fianna M12905 [M12706]
Phoenix M12908 [M12705] [M12704] [M12703] [M12589] [M12588]
Proclamation M13007
Dec 15th: Portraits M12904 [M12702] [M12701] wide M12903
July 31th: M12629 M12626
July 14th: M12580 [M12581] [M12582] [M12583] M12584 [M12585]
May 5th: M12551

Lower Shankill Angels

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As can be seen from the images of the information boards that accompany them, these pieces are part of a second wave of re-imaging (Visual History 10) in the lower Shankill estate. Compared to the pieces they replace, these are even more neutral in theme, replacing cultural themes with community (and also all printed rather than painted).

Most of these are in the centre of the estate, alongside various UDA murals. There has also been a small wave of UDA stencilling and signage on the periphery of the estate – see Loyalist Lower Shankill.

I Am Not Resilent replaces the Andrew Jackson Ulster-Scots mural in Boundary Way.

Women’s Voices is on the wall formerly home to Play from 2009 (and not, as the info board suggests, either the Can It Change? or the Shankill Eddie).

Lower Shankill Angels replaces the long-standing LPOW mural.

Never Doubt is on a previously unused wall, at the top of the estate, on Hopewell Avenue.

Nothing About Us is a piece from the first wave of re-imaging that was moved to Malvern Way due to the new construction taking place on the estate.

For background on the individual pieces, see the individual entries in the Seosamh Mac Coılle collection: I Am Not Resilient | Women’s Voices | Lower Shankill Angels | Never Doubt | Nothing About Us.

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Copyright © 2015 Peter Moloney
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Mothers & Sisters

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May 8th:

March 28th:

The figure in the centre of the mural above is Peggy O’Hara, mother of INLA hunger striker Patsy O’Hara, who remained active in socialist and republican circles and stood in the assembly elections in 2007 as an independent. She died in 2015 and was given a paramilitary funeral, including a volley of shots fired over the coffin (BBC | Irish Times | An Phoblacht). 

The female figure above Mickey Devine (in the bottom right) is his sister Margaret, from whose house his coffin processed after his death in 1981. (See the plaque in Breaking The Chains.) The girl on the left is pointing towards another mural, a dove of peace.

The standing figure, and the plaque, are retained from the previous mural.

Part of The People’s Gallery by the Bogside Artists.

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Copyright © 2015 Peter Moloney
M12753 M12593 [M12527] M11704 [M11705] [M11706]

Save The Shankill

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This pair of boards is outside the Ulster Rangers Supporters Club (Fb) on the Shankill Road.

Above: The painting features a tram going under an Orange arch between the public baths on one side an Spin-A-Disc records on the other, surrounded by notable figures from the Shankill area. (Many thanks to Johnny Dougan of Shankill Area Social History (Fb) for the information below.)

Front, from left to right: Manchester United and Northern Ireland Soccer player Norman Whiteside (WP) and behind him boxer Davy Larmour and community worker Saidie Patterson (see WRDA), boxer Sammy (Cisco) Cosgrove, Senator Charlie McCullough (WP), Tommy Henderson, boxer Jimmy Warnock (original photograph here), Hugh Smyth (see previously Third Class Citizens), artist William Conor (see previously Conor’s Corner, Jack Henning (running), musician Belter Bell, writer Albert Haslett (Northern Visions interview).

Atop the tram: on the left is Jackie Redpath of the Save the Shankill Campaign (note other members of the group with placard on right; Northern Visions has a documentary about the Save The Shankill campaign) and Jack Higgins holding his book The Eagle Has Landed (WP). Up there too is Miss Sands, the music teacher in the Girls Model School, and historian Bobby Foster (Northern Visions interview). On the stairs are May Blood MBE and above her D.I. Nixon.

Below is a board highlighting the roles played by women during WWI as nurses and welders and in the Land Army. “She hasn’t a sword and she hasn’t a gun. But she’s doing her duty now fighting’s begun.”

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Copyright © 2015 Peter Moloney
M11939 M11940

The Home Front

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The central image of soldiers at the battle of the Somme is surrounded by images of various occupations: shipyard workers and miners (perhaps), along with images of women welding, carrying coke, and nursing. It’s not clear what the “fair wartime wage” refers to: there was a general strike at the shipyards in 1919 (The Great Unrest | Workers’ Liberty). 

The nurse is apparently the Grand Duchess Olga Nikolaevna of Russia (WP). The image of a person carrying a sack of coke is from the Imperial War Museum’s collection.

The lower wall is intended to be full, but painting has ceased indefinitely.

Artist Jonny McKerr (Fb) also did a similarly-styled piece on The Belfast Blitz.

Edlingham Street, Tiger’s Bay, north Belfast

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Copyright © 2015 Peter Moloney
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Yeomna Qadm

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“Viva Palestine”. This pro-Palestine mural features sky-jacker Leila Khaled (also seen in in Hugo Street) and the emblem of the Popular Front For The Liberation Of Palestine (WP). The Arabic on the right is an equivalent of “Tıocfaıdh ár lá” on the left.

See also: The same elements used in another mural Oppression Breeds Resistance | The Popular Front in Northumberland Street | “Viva Palestine” in Ardoyne and on Black Mountain/Slıabh Dubh

AMCOMRI Street, off Beechmount Avenue/Ascaıll Ard na bhFeá, west Belfast.

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Copyright © 2015 Peter Moloney
M11766 [M11767] [M11768] [M11769]

Cumann Na mBan Centenary

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“Cumann Na mBan” in Irish is “the women’s organization/council/society” in English. The organization in question is the republican paramilitary group which was founded on April 2, 1914 and celebrated its 100th anniversary in 2014.

The mural is at the bottom of Teach Na bhFıann/Fianna House (formerly Dill House) in the New Lodge. 

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Copyright © 2015 Peter Moloney
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Mná Na hÉıreann

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Countess Markievicz, carrying a flag of Cumann Na mBan, and Ethel Lynch, carrying a flag of the Derry IRA, take centre stage in the Mná Na hÉıreann mural in London-/Derry/Doıre’s bogside. Markievicz is famous for her role in the Easter Rising of 1916 (WP); Lynch died in December 1974 of injuries sustained when a bomb exploded prematurely. Between them, “Liberty leads the people” waving an Irish Tricolour.

To their left are three Derry women protesting the conditions in Armagh Women’s Prison and in the H-Blocks. This article on Mary Nelis (the protester on the right, with Kathleen Deeny and Theresa Deery) describes the photograph on which this part of the mural is based. The women in Armagh prison were allowed to wear their own clothes and so were not ‘on the blanket’ as their male counterparts in the H-Blocks of Long Kesh were. However, they did engage in a “no wash” protest, which lasted from February 1980 until March 1981, and three of them – Maıréad Farrell, Mary Doyle, and Margaret Nugent – joined the 1980 hunger strike.

To their right (beyond the coffin scene) members of Cumann Na mBan are on parade; the photo of on which this is based can be seen in Mothering Sunday In Beechmount, though the faces have been changed here, presumably to those of more contemporary volunteers.

The figure wearing a cloth cap and holding a rifle is Eithne Coyle, a leader and later president of Cumann Na mBan, imprisoned both by the Black and Tans before the treaty and after it by the Provisional Irish government (WP). For the photograph on which her pose here is based, see An Phoblacht‘s History Of Cumann Na mBan.

In the four corners are circles of Betsy Gray, Anne Devlin, Mary Ann McCracken, and Máıre Drumm. Gray and McCracken were Presbyterians; Gray fought (or at least, was killed) in the 1798 rebellion, as did McCracken’s brother Henry Joy; Mary Ann went on to work for the poor of Belfast and lobby against slavery. Anne Devlin assisted in Robert Emmet’s 1803 rising. (National Graves Assoc) Máıre Drumm was vice-president of Sınn Féın and commander of Cumann Na mBan, who are shown marching on the right-hand side.

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Copyright © 2015 Peter Moloney
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