Youth mural combining republican symbols (the Bobby Sands quotation “Our revenge will be the laughter of our children” and Easter lilies) with community symbols (such as nearby Tulach Mhór [Tullymore] and The Larks) and social concerns such as the peace/anti-nuclear symbol, the blue-and-pink anti-suicide ribbon, and Banksy’s flower-thrower.
“Over a third of all children, are growing up in poor households. About 185,000 of households are in poverty, representatin about 502,000 people. Over 148,000 of these are children.” This is in contradiction with the aims of both the Proclamation of Éırí Amach Na Cásca, 1916 – “… cherishing all of the children of the nation equally and oblivious of the differences carefully fostered by an alien government, which have divided a minority from the majority in the past” – and the Democratic Programme of An Chéad Dáıl, 1919 “… to secure that no child shall suffer hunger or cold from lack of food, clothing or shelter, but that all shall be provided with the means and facilities requisite for their proper education and training as citizens of a free and Gaelic Ireland.” The other images are of Béal Feırste 1969, Léana An Dúın 1972, and Na Staılceanna Ocraıs, 1981.
This looks very much like a Rıstead Ó Murchú creation.
“Here marks the spot where baby Angela Gallagher, aged 17 months, was shot while strolling to the sweet shop with her sister Paula on the 3rd September 1971.” Gallagher was shot by an IRA sniper attacking a British Army patrol (Sutton).
The image above from Belfast’s Northumberland Street imitates one of Banksy’s pieces in the West Bank. In the Bethlehem piece, the hole in the wall reveals a tropical paradise; here, it reveals the hills around Belfast. There is a shot of the artists painting the piece at the beginning of the documentary about them, “Paint For Peace“.
Whiterock Children’s Centre mural with scenes from mythical Ireland, including the stories of the Children Of Lear, Oısín, and the Salmon Of Knowledge. Seen in 2009.
“Julie Livingstone aged 14 yrs. Murdered by the British Army 13th May 1981.” “The Stolen Child – Come away, O human child/To the waters and the wild/With a faery hand in hand/For the world’s more full of weeping/Than you can understand! – WB Yeats.” Livingstone was killed by a plastic bullet. The mural is in Glenveagh Drive. There is also a stone and plaque near the spot she was struck, on the Stewartstown Road.
This sequence of ‘Shankill life’ murals is led off by Baroness May Blood, a Labour peer and MBE for her work with the TGWU and integrated education. The other panels show children’s art and celebrate the sense of community, those who served and died in WWI, 11th night, the Orange Order, and the women’s group.
Here is the scene at Mourne Road along the side of the Mace (later a Spar). On the low wall is a ‘Mourneview Youth’ mural (presumably by BlazeFX) – there were previously LVF murals on this wall. In the bricked-up windows are a series of cultural panels, on the Battle Of The Boyne, music, William McFadzean’s VC, fire, faith, defence (WWI), plus one other (perhaps ‘school’?)
Stories from mythical Ireland including Clann Lır, Oısín & Nıamh, and the Salmon Of Knowledge are depicted in a 2006 mural painted by Mo Chara with the children of the Whiterock Children’s Centre.
“The young do not know enough to be prudent and therefore they attempt the impossible and achieve it … generation after generation – Pearl S Buck” “Adults do not perceive children as a minority group but as helpless, inexperienced, defenseless young people who need protection … This attitude must be confronted, challenged and refuted if young people are to secure their political rights. – Bob Franklin”. The info board describes the history of the wall, from Eddie to Can It Change? to the current re-imaging. Painted by Ed Reynolds. With support from the Arts Council, Belfast City Council, and the Lower Shankill Community Association.