Tá Ár gCultúr Beo

Tá Ár gCultúr Beo (“Notre culture est vivante/La nostra cultura e viva/Our culture is alive”) was painted by Mo Chara Kelly with help from the local youth. The red parts of the mural use a translucent medium that Kelly had become acquainted with while painting in the United States (An Pobal A Phéınteáıl 10) that allow additional figures from modern Ireland (left) and Celtic Ireland (right) to be seen. The winged figure (repeated four times) is a heron that he found in a book of Celtic designs while serving time in Long Kesh.

The mural was the first of four projects in Springhill facilitated by the Upper Springfield Development Trust as part of a “West Belfast Arts & Heritage Trail” (as per the plaque just out of view to the right) or “Public Arts Trail”.

Springhill Avenue, Belfast

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Copyright © 2010 Peter Moloney
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The Roddy McCorley Society

Images from the grounds of The Roddys club, Glen Road, Belfast, with memorials to McCorley (“In memory of Rody McCorley who was hanged here for his part in the rising of 1798 ‘The dead who died for Ireland, let not their memory die””), the deceased 1981 hunger strikers, the earlier 20th century hunger strikers (Thomas Ashe, Michael Fitzgerald, Terence MacSwiney, Joseph Murphy, Joseph Whitty, Denis Bary, Andrew Sullivan, Tony D’Arcy, Jack McNeela, Sean McCaughey, Michael Gaughan, Frank Stagg), Lenadoon deaths (Tony Henderson, Tony Jordan, John Finucane, Laura Crawford, Brendan O’Callaghan, Joe McDonnell, Mairead Farrell, Bridie Quinn, Patricia Black), Billy ‘Red’ Higgins founder member/president of the club, IRA volunteers from Lenadoon, “to the Irish men and Irish women who gave their lives in the rebellion of 1798”. Roddy McCorley, a Protestant member of the United Irishmen, is best known by the song written about his hanging at the bridge of Toome in 1800. (Here’s a version by Tommy Makem.)

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Copyright © 2010 Peter Moloney
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Eastát Ghleann Collaınn

Mural in the Glen Colin estate, just off the Glen Road showing The Roddy’s club (in white) with the hunger striker memorial in the shape of a harp in front and the St. Oliver Plunkett church, which is in fact on the other (southern) side of the Glen Road, with the twin peaks of Divis and Black Mountain in the background. The Bobby Sands quote “Our revenge will be the laughter of our children” is at the bottom and three Gaelic games players on the right.

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Copyright © 2010 Peter Moloney
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Óglach Raymond McCreesh

IRA volunteer Raymond McCreesh, originally from Camlough, died on May 21st, 1981, after 61 days on hunger strike. “In proud and loving memory of ten brave Irish soldiers who died on hunger strike in 1981 for their five just demands. I gcuımhne ar ıobaırt [íobaırt] cróga na staılceoırí ocraıs 1981 ní dheánfar [dhéanfar] dearmad orthu.”

Taghnevan Drive, Lurgan

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Copyright © 2009 Peter Moloney
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They Were Faithful And They Fought

The main plaque (shown first above) is new; like its predecessor (see M02186)  list of the local dead of the IRA 1st battalion, Belfast brigade and related members of the republican movement. (A shorter list is on the plaque to the left, shown second.) There is also a 200th anniversary plaque for the 1798 rebellion: “1798-1998 Who Fears To Speak Of 98. This plaque was erected to the memory of the United Irishmen who gave their lives for Irish freedom also those who died as a result of the Great Hunger. ‘These are the times that try mens’ souls.’ [- Thomas Paine] The rich always betray the poor.’ – Henry Joy McCracken.” The memorial garden is next to the Andersonstown Social Club (a.k.a. the PD or “People’s Democracy”).

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Copyright © 2009 Peter Moloney
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Coıste Chontae Aontroma CLG

“Coıste Chontae Aontroma CLG 125 Blıaın. Cluıchí, cultúr agus teanga.” [County Antrim GAA Committee, 125th anniversary]

Casement Park, named after Roger Casement (depicted in the lower right knotwork WP), was opened in 1953, blessed by Cardinal D’Alton, the Roman Catholic Archbishop of Armagh and Primate of All Ireland (shown in the medallion towards the bottom right). The central figure is from Jim Fitzpatrick’s ‘Hurling Match‘ and is presumably intended to show Setanta, who became Cú Chulaınn by (in one version) killing Culann’s hound with a slıotar.

(Victor Patterson has an image of a British Army post being constructed on the pitch.)

Andersonstown Road, west Belfast. (The same image would later be used on the bookies at bottom of Whiterock Road. See X00549)

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Copyright © 2009 Peter Moloney
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Léana An Dúın – Unbowed, Unbroken

Cú Chulaınn stands dying, an inspiration to republicans fighting against the British (rather than Queen Medb), including those Lenadoon locals whose portraits adorn the apex: Tony Henderson, John Finucane, Tony Jordan, Brendan O’Callaghan, Joe McDonnell, Laura Crawford, Maıréad Farrell, Patricia Black, Bridie Quinn (Bridie O’Neill in the previous version of this mural).

Repainted, with a plaque on the right that reads, “This mural, dedicated to the patriot dead of Lenadoon, was unveiled by Gerard O’Neill, Easter 2009.”

See also the Cú Chulaınn Visual History page.

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Copyright © 2009 Peter Moloney
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Building An Ireland Of Equals

“Ag aontú Caıtlıceach, Protastúnach agus Easaontóırí.” – “Uniting Catholic, Protestant, and Dissenter.” In An Argument On Behalf Of The Catholics Of Ireland (1791), Wolfe Tone of the United Irishmen wrote, “To subvert the tyranny of our execrable government, to break the connection with England, the never-failing source of all our political evils, and to assert the independence of my country, these were my objects. To unite the whole people of Ireland, to abolish the memory of past dissensions, and to substitute the common name of Irishman, in place of the denominations of Protestant, Catholic and Dissenter, these were my means.”

With portraits of Bobby Sands, Wolfe Tone, and in the centre, Winifred Carney.

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Copyright © 2009 Peter Moloney
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Éırí Amach Na Cásca

The Éırí Amach Na Cásca 1916 [Easter Rising 1916] mural in Beechmount Avenue/Ascaıll Ard Na bhFeá/RPG Avenue is repainted (by DD and Seany McVeigh) due to the new doorway. Compare to the previous version. (See also the IRA plaque.)

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Copyright © 2009 Peter Moloney
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