“Cumann Na mBan” in Irish is “the women’s organization/council/society” in English. The organization in question is the republican paramilitary group which was founded on April 2, 1914 and celebrated its 100th anniversary in 2014.
The mural is at the bottom of Teach Na bhFıann/Fianna House (formerly Dill House) in the New Lodge.
A “historical wall feature” was unveiled in January (BBC) by the Shared History Interpretive Project (SHIP) (web | Fb) on the outside of the Dockers’ Club in Pilot Street in Sailortown. The new piece is a montage of about 60 images of vintage photographs, a census form, and posters of industrial life. In the top-middle there can be seen an image of the board this one replaces, which featured two carters pulling away a heavy load.
Another addition in the work is the inclusion of Billy McMullen (1888-1982) and John Quinn (1876-1935) alongside Winifred Carney (1887-1943), James Connolly (1868-1916), and Jim Larkin (1876-1947). Both McMullen and Quinn are Belfast trades-unionists. Quinn’s headstone in Milltown Cemetery can be seen in Forgotten In Life, Remembered In Death.
“Attempted criminalisation of republican prisoners is alive and well”: Above is a recent board (erected 2015-01-23) by Republican Network For Unity (RNU)’s Cogús committee in support of “Republican prisoner welfare and support”: “End controlled movement [and] forced strip searches now.”
Three different campaigns for inquiries into deaths at the hands of British paratroopers are brought together into a single board on the site of the former Andersonstown RUC station (Visual History): the Ballymurphy Massacre of August, 1971, in which 11 were killed; the Springhill Massacre of July 1972, in which 5 were killed, and the killing of IRA volunteer Pearse Jordan, who, like the others, lived in the greater Ballymurphy area.
This is an end-of-life image – or perhaps a preparation-for-repainting image – of the mural at the corner of Ardoyne Avenue. The mural is still is reasonable shape (compared to 2008) but the 34 medallions with portraits to local volunteers and activists have been removed.
A British soldier patrols the streets while a girl walks home from school and a boy plays hurley. This is one of the panels in the long mural at the shops on Ardoyne Avenue.
The “Welcome” verbiage is just out of shot on the left-hand side; on the right is “Is fearr Gaeılge brıste ná Béarla clıste” [Broken Irish is better than clever English] and (out of shot) some Celtic knotwork. For close-ups of all of the panels, see Growing Up Too Fast.
This is a new board at the Crumlin end of Brompton Park – launched on August 6th by Gerry Kelly and members of the Cliftonville football team – in support of Palestine and Gaza, and in particular protesting the deaths of the four Bakr children on the beach at the port of Gaza on July 16th (see Child Killers). The image of the man carrying the boy is from Reuters.
“Belfast’s Bloody Sunday. On the 9th July 1972 the British Army murdered 5 Irish citizens and severely wounded 2 others. It’s time for the truth.”
This is a mural by Mo Chara Kelly (with DD Walker, Michael Kelly, and Ta Heath) commemorating the deaths of five people shot by British Army snipers in 1972: Paddy Butler (39), David McCafferty (15), Margaret Gargan (13), John Dougal (16), Fr Noel Fitzpatrick (40). The snipers fired from JP Corry’s timber yard (shown on the right) and at the time the Westrock bungalows were still standing (shown lower left).
This is a large mural is by Gerard “Mo Chara” Kelly‘s (video) new work at the top of Springhill Avenue, where it is blocked off from the Springfield Road.
On the left, a figure in a black-and white keffiyeh give the two-finger ‘V for victory’ sign beneath the Terence McSwiney (WP) quote: “It is not those who can inflict the most but those that can suffer the most who will conquer.”
In the middle, a protestor stands up to an Israeli tank with a swastika. (See the adjacent mural in Palestinian Territory.)
On the right, an Israeli Apache helicopter fires a Hellfire missile at a young Gazan boy carrying a teddy-bear (originally a Carlos Latuff (ig) poster).