Here is a gallery of graffiti in Creggan, Derry:
“All refugees welcome”, with the anarchism symbol
“Brits out, not sellout!!!”
“Political status now!!”
“IRA” and “PSNI not welcome”
old posters for events remembering the hunger strikers and current POWs
“#JFTC2 – End British internment”
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Copyright © 2015 Peter Moloney
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The Detail is a Northern Ireland web-site producing news and analysis, including a four-part series of infographics called “Imaging NI”, some of which were used in a billboard campaign. The one above is in Great Victoria Street; the one below is in Strand Road, London-/Derry.
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Copyright © 2015 Peter Moloney
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A paste-up by TLO: a green stallion mounts an orange mare.
There are many more TLO pieces in the Seosamh Mac Coılle Collection.
May Street, Belfast city centre
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Copyright © 2015 Peter Moloney
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“joinpsni” – This is a PSNI recruitment advert in Glenwood Street (upper Shankill), above the UVF No 4 Platoon mural.
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Copyright © 2015 Peter Moloney
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Free Derry Corner (Visual History) is transformed for Foyle Gay Pride 2015, (August 22nd-30th (programme at issuu)) with paste-ups of four “queer icons”. The four are (l-r) Stormé DeLarverie (WP), Mark Ashton (WP), Sylvia Rivera (WP), and Marsha P Johnson (WP). Ashton grew up in Portadown before moving to London; the other three are from the USA.
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Copyright © 2015 Peter Moloney
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Three flyers on Free Derry Corner (Visual History) in the Bogside: “End the brutality in Maghaberry”, “End the brutality of republican prisoners”, and “End forced isolation”.
“Irish Republican Prisoners Welfare Association [web]. No change from H-Block to MagHaberry. Supporting republican POWs.”
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Copyright © 2015 Peter Moloney
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Here is a close-up of the the middle of the Hunger Strike board above the Clowney Street phoenix (which is the Oldest Mural in Belfast) seen previously in 2013.
For an image of the writing – “Bobby Sands murdered 1.17 am. 5th May 1981. ‘My position is in total contrast to that of an ordinary prisoner: I am a political prisoner.”” – see the Homer Sykes collection. The quotation is from Sands’s ‘The Lark And The Freedom Fighter’ (pdf).
For “Thirty thousand can’t be wrong” see this episode of Thames TV’s ‘TV Eye’ (youtube).
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Copyright © 2015 Peter Moloney
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The new Museum of Orange Heritage in Schomberg House opened at the end of June. It features a stained glass window with the words “faithful unto death”, commemorating the 330+ (counts differ) members of the Orange Order who were killed during the Troubles.
The museum is at the south end of Cregagh Road; the advertising hoarding is on the Upper Newtownards Road, east Belfast
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Copyright © 2015 Peter Moloney
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“Derry women made more than shirts – they made communities”.
Here is a Derry mural celebrating the role of women in society, both locally and world-wide.
On the left of the main panel, women march out of one of the city’s gates. The information sheet reads as follows: “On International Women’s Day, March 8th [1991, not 1981 as the hand-written addition suggests], the first ever women’s mural in Derry was unveiled on the back of Free Derry Wall. It was designed and painted by Patricia Hegarty and Joe Coyle, and helpers, both men and women. The mural takes its inspiration from a march in November 1968, after Minister for Home Affairs Bill Craig banned all civil rights marches in the walled city. Women factory workers walked out and spent the afternoon marching in and out of every gate in the city, deliberately “breaking the ban”. Men marched in from DuPont to join them, and a rally was held in the Diamond. In the mural you can find the faces of some of those marching on that historic day, as well as other women who played their part in the ongoing struggle for justice. Civil rights workers Bridget Bond and Women’s Aid refuge founder Cathy Harkin march alongside republicans such as Ethel Lynch, Bridget Sheils, Peggy Derry, prisoners’ rights activists Susie Coyle, and many others. You may find images of your granny, sister or aunt. The mural is dedicated to all those women whose energy and determination have changed their lives and the world about them.”
The board on FDC can be seen in Woods’s Seeing Is Believing?, plate 19.
In the centre of the main panel, a tapestry of images and posters is being sewn by a woman at a sewing-machine in one of Derry’s large shirt- and collar-making factories (one of which, attached to “Fabric World”, is shown on the right).
The tapestry includes flyers/posters of local women banging bin lids at the death of Tom McElwee, marching past the ‘Free Derry’ slogan on Free Derry corner, striking, and protesting; there are also posters supporting Palestine and gay rights, celebrating femininity, and one of Wonder Woman.
Lecky Road, Brandywell, Derry
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Copyright © 2014 Peter Moloney
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“Discover the past/Aimsigh an t-am atá caite, build the future/tóg an todhchaí. Derry Walls Day, National Heritage Week.” The aim of the “wave on the wall” was to have almost 2,000 participants in red t-shirts form a chain around the wall (web).
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Copyright © 2013 Peter Moloney
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Peter Moloney Collection 