A volunteer with rocket-propelled grenade launcher on “RPG Avenue” (Beechmount Avenue), west Belfast. “Revolution – Armed struggle, people’s politics”.
According to Rolston (1991 p. 100), the silhouettes of at the bottom are based on the movie poster for Reds.
“1941 Auschwitz, Buchenwald; 1981 Long Kesh prisoner of war camp” – a repeatedly vandalised mural in Oakman Street, Belfast. Centrally pictured is the killing of Michael McCartan, shot by an RUC officer named McKeown (named on the right) while painting graffiti in south Belfast. For a detailed description see BritishArmyKillings. “20 years it’s still the same – they murder people and have no shame.”
A hand with tricoloured cuff attempts to stop one with a Union flag from taking the six counties from the rest of the island. The plural imperative would be “stadaıgí”.
The image was used (in the 70s? and 80s?) in the United States for fundraising (MOMA | Fb | Etsy).
Voting for Sınn Féın is seen as the way to address the social issues named on placards carried by protestors – culture, houses, Brits Out, jobs – in order to bring about a new Ireland.
The death by hanging of African National Congress supporter Benjamin Moloise on 18 October, 1985, for the alleged murder of a South African policeman, drew international condemnation and led to widespread rioting in Johannesburg and Port Elizabeth. (ExecutedToday | Jet) His words, “tell the world, freedom is at hand”, are paired with a phrase from Bobby Sands, “we aim to be free”, in this ANC-IRA mural featuring an armalite and a zulu shield and spear. In the second and third images the boards (above the mural) declaring west Belfast an “apartheid free zone”/”ceantar saor ó apartheıd” can be seen.
“Beır bua” [seize victory]; “erected by Sınn Féın April 1986”
Ascaıll Ard Na bhFeá/Beechmount Avenue, west Belfast
This is a black-and-white, English-language, version of a ‘roll of honour’, with names in Celtic script, mural that would quickly be redone (see I gCuimhne Agus In Onóir). The graffiti underneath read Maggie Lured Hurd To Be A Turd. There is also graffiti on the low wall: “All the queens horses and [all the queens men] couldn’t catch the IRA in [London again]”. Kells Walk/Rossville Street, Derry
Here are a dozen images of the (in-progress) murals on the building at the junction of The Fountain/Wapping Lane/Kennedy Street (which is currently the Cathedral Youth Club) in London-/Derry. They include the arms of Londonderry, a Union Flag modified with six-pointed star, the red hand of Ulster, and the crest of the UDA.
“In memory and in honour” — the dead volunteer of the Derry troubles is made equivalent to the Celtic warrior of Irish mythology. Rossville Street, Derry. The list is longer than the previous version of this mural (Roll Of Honour) and than in In Proud And Loving Members Of Derry’s Dead Volunteers: Joseph Coyle, Thomas McCool, Thomas Carlin, Eamonn Lafferty, James O’Hagan, Gerry Donaghy, Colm Keenan, Eugene McGillan, John Starrs, James/Seamus Bradley, Michael Quigley, John Brady, James Carr, James McDaid, Joe/Joseph Walker, Gerard Craig, David Russell, Michael Meenan, John McDaid, Ethel Lynch, Brian (= Bernard?) Coyle, Dennis/Denis Heaney, Patrick/Patsy Duffy, George McBrearty, Charles Maguire, Eamon Bradley, Phil McDonnell, Richard Quigley, Danny Doherty, William Fleming, Ciaran Fleming, Charles English