The refreshed Young Newton mural at the end of “Freedom Corner” switches from mention of the UYM (UDA youth) to the 1893 UDU. “Our civil and religious liberties we will maintain” is a slogan from the anti-Home Rule protests. Inclusion of Northern Ireland nationalism is retained (the crest in the bottom right) alongside the crests of England, Northern Ireland, Scotland, and the Union. “Who will separate us.” There are three flowers around the Union flag – the Welsh daffodil is absent.
2009 image of the Guernica mural on the so-called ‘International Wall’, update with a pair of falling bombs on the right. Above, a Nazi bomb falls on Guernica in 1937; below, an Israeli bomb falls on Gaza in 2009.
“Everyone has the right to live free from sectarian/racist harassment!!!” Arkansas ’57 – Ardoyne 2001 – South Belfast ’09. This is a smaller and updated (and cruder) version of the ‘It’s black and white‘ mural in Ardoyne. That original put the abuse of the Little Rock Nine after Brown v. Board Of Education (‘Arkansas ’57’) in parallel with the abuse of students attempting to get to Holy Cross primary (‘Ardoyne 2001’). This update adds the treatment of residents in lower Ormeau during the Orange marching season, a controversy that began in 1992: see Postcard From The Edge | Trade Off?
“Providing a community transport system for over 40 years.” The West Belfast Taxi Association (WBTA) have had a mural on the International Wall since at least 2006, offering tours of west Belfast and the murals in particular.
Pro-Cuba mural on the international wall and criticism of the Obama regime’s continuation of the US blockade. “The world opposes US blockade of Cuba. Time for a change Mr Obama.” “UN General Assembly resolution Oct 2008. Countries opposed to the blockade: 185. Countries in favour: 3 (US, Israel, Palau)”. “¡Aqui no se rinde nadie!” [There’s no giving up here!]
Names are added to the (repainted or at least restored) IRA/Fianna mural in Friendly Street in the Markets. See previously 2002 and the paint-bombed 2006. The seven portraits are of Tony Nolan, Joseph Downey, Frank Fitzsimons, Joey Surgenor, Paul Marlowe, Jim Templeton, and Brendan Davison.
“Artist Daniela Balmaverde has worked with older members of the local community to reminisce and to appreciate those from North Belfast who have made an impact on our broader society. A multiplicity of initiatives has altered the face and conditions of life in this community with Re-Imaging making a positive contribution to a long-term process. The project was launched by the Lord Mayor on August 2009 This project was funded through the Re-Imaging Communities programme of the Arts Council of Northern Ireland and delivered by Belfast City Council with the support of Lower Ormeau Road Resident’s Action Group. This project is supported by the Shared Communities Consortium.”
“Our community, our fleadh, our people – Ardoyne”. The Ardoyne fleadh cheoıl (tw | Fb) is held each August and includes fun days for the kids in addition to concerts. The plaque on the right indicates that the mural was part of the 2009 Re-Imaging Programme. The wall (on Brompton Park) has historically had a Fleadh mural (Maıreann An Spıorad | Fleadh Érıu – included on the 1995 poster, under the go-kart’s left wheel) though the immediately prior mural was a 25th anniversary hunger strike mural.
In 1607 – “400 blıaın” after the Anglo-Norman invasion of Ireland – 50 years of newly-asserted English control, most recently at the hands of Charles Blount – who defeated the pair in the Nine Years’ War – and Arthur Chichester – who, as O’Donnell is shown reading, was “appointed Lord Deputy in Ireland” in 1605 – compelled Earls Hugh O’Neill of Tyrone and Rory O’Donnell of Tyrconnell to depart Ireland on a ship bound for Spain in order to petition for Spanish support in reclaiming the lands and status they were losing under English rule. They ended up in Rome instead and never returned, ending the period of Gaelic chiefs rule in Ireland and making way for the plantation of Ulster.
The pair of plaques on the left indicate that the mural was painted as part of the Re-Imaging Communities Programme’ (top) and launched by President Mary McAleese on June 19th (bottom). Even though the subject was historical, the state funding for the project required the removal of a sword from O’Neill’s right hand; he is shown instead clutching the collar of his cloak. For more on the re-imaging programme, see Visual History 10.
“Imeacht na nIarlaí. I ndıadh 400 blıaın … that the eternal values of liberty and democracy have prevailed and the sons and daughters of the planter and the Gael have found a way to share the land of their birth and live together in peace.”
Peter Moloney Collection 