19 year-old Provisional IRA volunteer Eamonn Lafferty was “killed on active service 18th August 1971”, in a gun-battle with British Army forces who were attempting to dismantle barricades in republican “Free Derry”.
These three IRA gravestones are in Derry City Cemetery. The first is to Hugh and Susan Morrison, IRA and Cumann na mBan members in 1922 (findagrave/Derry Journal). Hugh died from a premature bomb explosion during a gun-battle at Skeog/Skeoge (p. 41 of 1916 Derry Rising Revisited). Brothers John and Hugh Gallagher – John was “killed in June [1920] Derry riots” while Hugh was “shot by Free State soldiers at Drumboe Castle [holding centre]” in 1922. Finally, John Starrs, killed in a gun battle with the British Army in William Street, in 1972.
The title of the post comes from the previous location of this Ulster Volunteers/UVF board. The image above is from Seymour Gardens, Londonderry, but previously the board was on the main road (Sperrin Park) in the Caw with a black background and title-board above, and side-fence of insignia. From the period of the Ulster Volunteers, the board features the Carson, the Clyde Valley, the Covenant, and the UDU (Ulster Defence Union) manifesto of 1893.
A plaque “dedicated to the memory of Patrick Shiels Óglaıgh Na hÉıreann 1878-1957. Erected by the republican movement 11th April 2007 to mark his 50th anniversary. I measc laochra na nGael go raıbh sé” is added to the Operation Motorman mural in Rossville Street, Derry. Paddy Shiels took part in the Easter Rising and was later Derry OC. See BMH testimony #676 by Liam Brady.
The Bernadette mural by the Bogside Artists is prepared for an update, ten years after originally being painted, in 1997.
“The Artists’ first coloured mural is a tribute to the women of Derry and their role in the civil rights campaign. Bernadette Devlin, Britain’s youngest MP, addresses the crowd during the Battle of the Bogside: her actions resulted in a six month jail sentence for inciting and taking part in a riot. The woman to her left bangs a dustbin lid on the ground to alert neighbours to the arrival of the authorities. The triable motif inspired by the gable end is repeated throughout the painting. Our job is to do justice to our history and the price people have paid for their democratic rights. That’s what we are about.“
The Fountain gets an info board based on research and interviews by kids in Cathedral Youth Club. It stands next to the murals and bonfire site in Fountain Street.